Nella fucina di un maestro di cappella francescano: Antonio Maria Amone (1768-1848)

Authors

  • Rosa Cafiero Università Cattolica del Sacro Cuore, Milano https://orcid.org/0000-0003-2707-3739

DOI:

https://doi.org/10.60923/issn.2974-7287/23580

Keywords:

Naples, Conservatorio di Santa Maria di Loreto, Antonio Maria Amone, Marco Santucci, Masseangelo Masseangeli, music collecting

Abstract

This paper seeks to trace the years Antonio Maria Amone (1768-1848) spent at the Conservatorio di Santa Maria di Loreto by drawing on unpublished documents kept at the Historical Archive of the Neapolitan Conservatorio “San Pietro a Majella” in Naples and Accademia Filarmonica in Bologna. It also weaves in events unfolding parallel to Amone’s life, involving Marco Santucci (1762-1843), as documented by an exchange of letters between the two musicians. Among those corresponding with Santucci, it also follows the account of the cello player Gaetano Ciaudelli.

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Published

2025-12-17

How to Cite

Cafiero, R. (2025). Nella fucina di un maestro di cappella francescano: Antonio Maria Amone (1768-1848). Artes – Rivista Di Arte, Letteratura E Musica dell’Officina San Francesco Bologna, 4(IV), 93–111. https://doi.org/10.60923/issn.2974-7287/23580

Issue

No. IV (2025)

Section

Articles

License

Copyright (c) 2025 Rosa Cafiero

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.